A fight with a cannon By Victor Hugo

Funk & Wagnalls Company, 1927
Page 2 of 12

Originally from the novel Quatre-Vingt Treize

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12


And what is to be done? How put an end to it? A tempest ceases, a cyclone passes over, a wind dies down, a broken mast can be replaced, a leak can be stopped, a fire extinguished, but what will become of this enormous brute of bronze. How can it be captured? You can reason with a bulldog, astonish a bull, fascinate a boa, frighten a tiger, tame a lion; but you have no resource against this monster, a loose cannon. You can not kill it, it is dead; and at the same time it lives. It lives with a sinister life which comes to it from the infinite. The deck beneath it gives it full swing. It is moved by the ship, which is moved by the sea, which is moved by the wind. This destroyer is a toy. The ship, the waves, the winds, all play with it, hence its frightful animation. What is to be done with this apparatus? How fetter this stupendous engine of destruction? How anticipate its comings and goings, its returns, its stops, its shocks? Any one of its blows on the side of the ship may stave it in. How foretell its frightful meanderings? It is dealing with a projectile, which alters its mind, which seems to have ideas, and changes its direction every instant. How check the course of what must be avoided? The horrible cannon struggles, advances, backs, strikes right, strikes left, retreats passes by, disconcerts expectation, grinds up obstacles, crushes men like flies. All the terror of the situation is in the fluctuations of the flooring. How fight an inclined plane subject to caprices? The ship has, so to speak, in its belly, an imprisoned thunder-storm, striving to escape; something like a thunderbolt rumbling above an earthquake.

In an instant the whole crew was on foot. It was the fault of the gun captain, who had neglected to fasten the screw-nut of the mooring-chain, and had insecurely clogged the four wheels of the gun carriage; this gave play to the sole and the framework, separated the two platforms, and the breeching. The tackle had given way, so that the cannon was no longer firm on its carriage. The stationary breeching, which prevents recoil, was not in use at this time. A heavy sea struck the port, the carronade, insecurely fastened, had recoiled and broken its chain, and began its terrible course over the deck.

To form an idea of this strange sliding, let one imagine a drop of water running over a glass.


Previous Page Next Page


Facebook badge - blogger badge

Concept, content & Design: The Art of Age of Sail